蝈蝈声

文/李文辉

明月的夜晚

听蝈蝈的叫声

有时一只在叫

有时几只在叫

心想：

它们叫累了是否停一会

邻居家回来了

吱吖的开了大门

又听到插大门的声音

他家院子里的小狗传来撒欢的声音

月光透进棉纸裱的木窗

明天要跟大人去赶街

去县城租看小人书

上次上县城看到书摊有很多小人书

只能站在摊外饱饱眼福

书摊就像海

千般吸引贪玩没下过水的小孩

蝈蝈声叫个不停

也许停了会让同伴不知道它的身影

夜深了

蝈蝈声伴我进入想象中看小人书的梦境

The Chirping of Katydids

By Li Wenhui

On a moonlit night,

I listen to the chirping of katydids.

Sometimes one calls alone,

Sometimes several join in.

I wonder:

When they grow tired, do they pause for a while?

The neighbor returns home,

The gate creaks as it opens,

Followed by the sound of the bolt sliding shut.

From their yard, the little dog’s joyful barks echo.

Moonlight filters through the cotton-papered wooden window.

Tomorrow, I’ll go with the adults to the market,

To rent picture-story books in the county town.

Last time, I saw many at the bookstall,

But with no money, I could only feast my eyes from afar.

The bookstall is like an ocean,

Its countless ships enticing playful children who’ve never ventured into the waters.

The katydids chirp incessantly—

Perhaps if they stopped, their companions would lose track of their presence.

Late into the night,

Their chirping accompanies me into a dream, where I wander through the world of picture-story books.

《蝈蝈声》A丨赏析：月光下的童梦与生命共鸣

李文辉的这首小诗以夏夜蝈蝈声为线索，编织出一幅充满乡土气息的童年画卷。诗人通过细腻的听觉捕捉与心理描摹，在看似平淡的日常场景中，挖掘出深邃的情感共鸣与生命哲思。

诗歌开篇以明月夜为背景，蝈蝈声作为贯穿全诗的核心意象率先登场。“有时一只在叫/有时几只在叫”的朴素叙述，暗合自然界生命节奏的此起彼伏。诗人对蝈蝈“会叫累了停一会”的揣度，巧妙将物我界限模糊，为后文人与自然的精神共鸣埋下伏笔。

中间段落的三重声音交织颇具匠心：邻居家“吱吖”的开门声、小狗撒欢声与持续不断的蝈蝈声，构成乡村夜曲的三重奏。这些声音在月光透窗的静谧背景下，既强化了现场感，又自然引出明日赶街的期待。关于小人书摊的比喻尤为精妙——“书摊就像海/千般吸引贪玩没下过水的小孩”，将知识海洋与孩童求知欲的关系通过航海意象生动呈现，那个因贫穷而“站在摊外饱饱眼福”的细节，道出了特定年代里普遍而心酸的童年记忆。

结尾处蝈蝈声被赋予更深层的象征意义：“停了会让同伴不知道它的身影”。这既是昆虫的生存智慧，也可视为诗人对存在价值的思考——每个生命都需要通过特定方式确认自身存在。最终蝈蝈声与梦境交融，完成从现实到精神世界的诗意过渡，童年纯真与生命坚韧在月光下达成和谐统一。

全诗语言质朴如童谣，却蕴含多重解读空间。蝈蝈声既是具体的自然声响，又是记忆的触发器，更是生命存在的隐喻。在棉纸木窗的传统意象与小人书的现代文化符号之间，诗人成功构建了一个既具体可感又超越时空的童年秘境，让最简单的夏夜虫鸣承载起对往昔岁月的深情回望。